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GOLDFINGER (1964) Sean Connery
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James Bond Homepage 007museum@telia.com Donations/Gåvor James Bond Museum EON Productions movies 1. Dr No 2. Form Russia With Love 3. Goldfinger 4. Thunderball 5. You Only Live Twice 6. On Her Majesty`s Secret Service 7. Diamonds Are Forever 8 Live And Let Die 9. The Man With The Golden Gun 10.The Spy Who Loved Me 11.Moonraker 1979 12.For Your Eyes Only 1981 13.Octopussy 1983 14.A View To A Kill 1985 15.The Living Daylights 16.Licence To Kill 17.Goldeneye 18.Tomorrow Never Dies 19.The World Is Not Enough 20.Die Another Day 21.Casino Royale 22.Quantum Of Solace 23.James Bond 23 24.James Bond 24 Not included in Bondserie or EON Productions Casino Royale 1954 Casino Royale 1967 Never Say Never Again 1983 Producer Writers to all Bond books James Bond actors
Bondgirls Mission: Goldfinger
1964
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Goldfinger Mission Review: Over the years, Goldfinger has become known as the gold standard (sorry, couldn’t resist) for Bond movies: so much so that the “Bond formula” is essentially based around this movie. It all started with the pretitle sequence, which was a mini-movie in itself. Bond quickly disrobes his wetsuit to reveal a perfectly-pressed white tuxedo underneath, quickly establishing his as a debonair and suave secret agent. He even gets his first pun in before the title sequence with “shocking, positively shocking.” The quintessential Bond movie, of course, had the quintessential Bond theme, as Shirley Bassey belts out what is, arguably, the most recognizable theme song in the entire series: except of course for the Bond tune itself…but that doesn’t count. As the movie continues, Bond continues to be on his A-game both in terms of the ladies (he hooks up with Dink and Jill before he even leaves the Miami hotel) and in regards to action. Also introduced early on, through the striking visual of his shadow against the wall, is Oddjob: yet another icon in the Bond movie canon. Without saying a word, Oddjob is both menacing and evil; he could send a shiver down the spine with a mere look. That said, his apparent invincibility to everything except raw electricity was a bit absurd and takes away from his character. For example, there’s no way Bond could punch his face with a solid gold bar and not have Oddjob feel a thing. Moving along the villain arena we come to he of “No Mr. Bond, I expect you to die!” fame: Auric Goldfinger. Due partly to the aforementioned line as well as his voice (even though it was dubbed) and his plot to detonate a nuclear device inside Fort Knox, Goldfinger is one of the most memorable villains of the series. Ken Adams also helped the cause by doing a brilliant job with the sets: especially those related to Auric. His den with rotating pool table and metal window shades truly accentuated Goldfinger’s villainy. Bad guys aside, Goldfinger features Pussy Galore, the woman with the most sexual name of the entire series. In addition, she was the first of the “bad girls” who would sleep with Bond and all of a sudden convert to the side of good. Heck, according to Ian Fleming’s original source material, Bond even made her turn straight. The movie also featured Jill Masterson laying naked, dead and covered with gold paint: an image so iconic that it landed her on the cover of Life magazine. The movie also gave us our first look at Q's laboratory with the gags in the background as well as his gadgets for Bond. The crowning glory of Q's lab was the introduction of the Aston Martin DB5 which has become synonymous with Bond. Finally, Connery has achieved the perfect Bond character and along with a great script, supporting cast, and score, he made the best performance of his Bond career.
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![]() James Bond: Sean Connery |
Villain: Auric Goldfinger, Gert Fröbe |
Jill Masterson: Shirley Eaton Goldpainted |
Henchmen: Oddjob, Harold Sakata |
Girls: Honor Blackman, Pussy Galore |
Jill Masterson: Shirley Eaton |
Jill Masterson: Shirley Eaton James Bond: Sean Connery with Champagne Dom Perignon 53` |
Desmond Llewelyn=Q |
Tilly Masterson: Tania Mallett |
![]() Summary: Special agent 007 has just come face to face with one of the most notorious villains of all time. And now he'll have to outwit and outgun this powerful tycoon to prevent him from cashing in on a devious scheme to raid Fort Knox - and obliterate the world's economy! Review: Over the years, Goldfinger has become known as the gold standard (sorry, couldn’t resist) for Bond movies: so much so that the “Bond formula” is essentially based around this movie. It all started with the pretitle sequence, which was a mini-movie in itself. Bond quickly disrobes his wetsuit to reveal a perfectly-pressed white tuxedo underneath, quickly establishing his as a debonair and suave secret agent. He even gets his first pun in before the title sequence with “shocking, positively shocking.” The quintessential Bond movie, of course, had the quintessential Bond theme, as Shirley Bassey belts out what is, arguably, the most recognizable theme song in the entire series: except of course for the Bond tune itself…but that doesn’t count. As the movie continues, Bond continues to be on his A-game both in terms of the ladies (he hooks up with Dink and Jill before he even leaves the Miami hotel) and in regards to action. Also introduced early on, through the striking visual of his shadow against the wall, is Oddjob: yet another icon in the Bond movie canon. Without saying a word, Oddjob is both menacing and evil; he could send a shiver down the spine with a mere look. That said, his apparent invincibility to everything except raw electricity was a bit absurd and takes away from his character. For example, there’s no way Bond could punch his face with a solid gold bar and not have Oddjob feel a thing. Moving along the villain arena we come to he of “No Mr. Bond, I expect you to die!” fame: Auric Goldfinger. Due partly to the aforementioned line as well as his voice (even though it was dubbed) and his plot to detonate a nuclear device inside Fort Knox, Goldfinger is one of the most memorable villains of the series. Ken Adams also helped the cause by doing a brilliant job with the sets: especially those related to Auric. His den with rotating pool table and metal window shades truly accentuated Goldfinger’s villainy. Bad guys aside, Goldfinger features Pussy Galore, the woman with the most sexual name of the entire series. In addition, she was the first of the “bad girls” who would sleep with Bond and all of a sudden convert to the side of good. Heck, according to Ian Fleming’s original source material, Bond even made her turn straight. The movie also featured Jill Masterson laying naked, dead and covered with gold paint: an image so iconic that it landed her on the cover of Life magazine. The movie also gave us our first look at Q's laboratory with the gags in the background as well as his gadgets for Bond. The crowning glory of Q's lab was the introduction of the Aston Martin DB5 which has become synonymous with Bond. Finally, Connery has achieved the perfect Bond character and along with a great script, supporting cast, and score, he made the best performance of his Bond career. If I had to choose one main negative point about the movie, despite all the wonderful characters, Connery’s spot-on performance and classic sets, it would be that Goldfinger is, at its core, an unbelievable movie. The plot is far-fetched and, though still more realistic than future Goldfinger clones including Moonraker 1979 and A View To A Kill 1985 , was the starting point for the absurdity of later movies. As the film that all other Bond movies would be judged on, it would have been nice to see it more rooted in reality like Form Russia With Love. Still, the movie is classic Bond and not a bad choice for the gold standard of the series. |
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Goldfinger Ian Fleming's Goldfinger James Bond, Movie, 1964
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Shirley Eaton was a glamorous blonde actress who appeared
in many British black and white comedies in the fifties and
onwards.
She was born in London. Throughout her career, she has appeared with many of the main British male comedy stars from the period including Jimmy Edwards, Max Bygraves, Bob Monkhouse and Arthur Askey. Her female co-stars included Peggy Mount, Thora Hird and Dora Bryan among others. In any British film featuring comedy actors like Kenneth Connor she's liable to turn up as the glamorous love interest. Early roles include Three Men In A Boat (1956) and Date with Disaster (1957), starring with American Tom Drake. She also worked with The Crazy Gang in Life Is a Circus (1958). Later she starred in an entertaining version of Ten Little Indians (1965), co-starring American singer and actor Fabian. She also appeared in several early Carry On films, but did little TV work. However, undoubtedly Eaton's most famous role was that of Jill Masterson in the 1964 James Bond film Goldfinger. Her character's demise, being painted head to toe in gold paint and suffering skin suffocation, became an iconic image of the film and inadvertantly lead to the creation of an urban legend concerning both the method of death and the actress' own fate. Ms. Eaton, very much alive, later appeared in a 2003 episode of the TV documentary series Mythbusters to help debunk the legend. Shirley Eaton Facts
Shirley Eaton Den "gyllene flickan" Shirley Eaton, Idén byggde på en verklig schweizisk modell som målade sig och dog av kvävning. Hon är också känd för att vara den Bondbruden som snarare blev känd för sin makeup än sin rolltolkning. I filmen Goldfinger spelar hon figuren Jill Masterson som dör efter att över hela kroppen ha blivit målad med guldfärg. Det tog hela två timmar att måla artisten. Makeupartister var Basil Newall och Paul Rabiger. En annan intressant sak är att rolltolkaren i början av filmen är Margaret Nolan vilken även är den person som finns på filmposters. Hon var från början kontrakterad för den fem minuter långa insatsen. Rykten har gått om att även Shirley Eaton skulle ha avlidit vilket är helt felaktigt. Vid inspelningen närvarade läkare som hela tiden övervakade henne - dessutom lämnade en fläck på magen utifall att. På Discovery Channel har man på tv-programmet Mythbusters testat om en människa avlider om huden är helt täckt av färg - det gör man inte. Denna hypotes ställd av Ian Fleming i boken Goldfinger var alltså falsk men gav till upphov att många trodde att den var sann. |
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